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Performing Arts

  • Exploring Haydn, Beyond the Clichés
    Exploring Haydn, Beyond the Clichés
    October 10, 2018 | By Catherine Yang
    We remember him as “Papa Haydn,” father of the symphony and mentor to Mozart and Beethoven, and the composer of happy music. But as a composer, his impact on music of his time and subsequent ages is so much more. “He is a genius of the highest order for me,” said Bernard Labadie, a leading […]
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  • ‘Eugene Onegin’: Love and rejection
    ‘Eugene Onegin’: Love and rejection
    October 9, 2018 | By Madalina Hubert
    TORONTO─Watching opera performed live onstage can be a compelling experience says tenor Joseph Kaiser, who has enjoyed many inspiring moments sitting in the audience, touched by the art form’s power. “It reaches out and just grabs you. You can’t help it, you can’t avoid it,” he says. “It’s just magic. It’s intensity. These composers and […]
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  • Theater Review: ‘Bernhardt/Hamlet’
    Theater Review: ‘Bernhardt/Hamlet’
    October 9, 2018 | By Judd Hollander
    NEW YORK—There’s no doubt Janet McTeer would do a brilliant job of playing the title role in William Shakespeare’s “Hamlet.” Her playing Sarah Bernhardt playing Hamlet is another matter. The hodgepodge that is “Bernhardt/Hamlet,” the new Broadway play by Theresa Rebeck, delves into real theater history. It is 1897, and actress Sarah Bernhardt (McTeer), also known […]
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  • Jonas Kaufmann Sings German Songs of Romance at Carnegie Hall
    Jonas Kaufmann Sings German Songs of Romance at Carnegie Hall
    October 8, 2018 | By Barry Bassis
    NEW YORK—Jonas Kaufmann is generally accompanied by a pianist at his concerts, and the program concentrates on Schubert songs or other classics of German lieder. By contrast, in his latest appearance at Carnegie Hall on Oct. 5, he was accompanied by the Orchestra of St. Luke’s, conducted by Jochen Rieder, and performed German songs from […]
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  • Pianist Inna Faliks Presents a Musical Memoir at Symphony Space
    Pianist Inna Faliks Presents a Musical Memoir at Symphony Space
    October 7, 2018 | By Catherine Yang
    Music is meant to be a living thing, according to pianist Inna Faliks. It is the musician’s role to breathe life into the notes on the page, and every time the music is given life, it is a different being. “No two notes can ever be alike, just as no two words are the same […]
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  • Montserrat Caballe, Spanish Opera Singer Famed for ‘Barcelona’ Duet, Dies at 85
    Montserrat Caballe, Spanish Opera Singer Famed for ‘Barcelona’ Duet, Dies at 85
    October 7, 2018 | By Reuters
    BARCELONA—Montserrat Caballe, who put opera onto the pop charts by singing the song “Barcelona” with Freddie Mercury three decades ago, died Oct. 6 at the age of 85. The Spanish soprano, who was born in the Catalan capital, had been in poor health for a number of years and was hospitalized in mid-September, a hospital […]
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  • Saint Thomas’s New Organ Takes Center Stage in Recital
    Saint Thomas’s New Organ Takes Center Stage in Recital
    October 6, 2018 | By Catherine Yang
    NEW YORK—The Saint Thomas Church on Fifth Avenue is a destination for visitors from around the world, as well as a musical stop for anyone with a particular interest in church music. It’s now even more so with the completion of the Miller-Scott Organ that is taking center stage this music season. Pipe organs, once called […]
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  • Harpsichord Virtuoso Zuzana Ruzickova’s Legacy Captured on Film
    Harpsichord Virtuoso Zuzana Ruzickova’s Legacy Captured on Film
    October 2, 2018 | By Catherine Yang
    NEW YORK—Looking straight at the viewer, Zuzana Ruzickova, then 87, detailed the horrors of three Nazi concentration camps, and then the following communist regime takeover, in measured tones and with great clarity. “When people ask me how I was able to survive, I always say, ‘It was a hundred miracles,'” Ruzickova said. She’s sitting at […]
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  • Opera Review: ‘Samson et Dalila’ at The Metropolitan Opera
    Opera Review: ‘Samson et Dalila’ at The Metropolitan Opera
    October 1, 2018 | By Barry Bassis
    NEW YORK—In 2010, The Metropolitan Opera presented a new production of Bizet’s “Carmen” starring Elina Garanca and Roberto Alagna, and the pair created a sensation as the tempestuous couple. For the first production of the 2018–2019 season, they are reunited in “Samson et Dalila,” another French opera about a lovelorn military man falling for a […]
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  • Album Review: ‘Vivaldi: Concerti da Camera’
    Album Review: ‘Vivaldi: Concerti da Camera’
    September 28, 2018 | By Robert Hugill
    The delightful new release “Vivaldi: Concerti da Camera” from the French label Calliope presents us with a disc of chamber music by Antonio Vivaldi: seven of his concerti da camera played by the French ensemble Il Delirio Fantastico, directed by Vincent Bernhardt. Vivaldi didn’t call these pieces “concerti da camera” (chamber music); he simply referred to them as concertos, […]
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  • Classical Music Stars Bring High Art Without the Jargon
    Classical Music Stars Bring High Art Without the Jargon
    September 28, 2018 | By Catherine Yang
    NEW YORK—When the artists gets on stage, the first thing they’re asked is: “You could perform anywhere in the world. Why are you here? What are you getting out of this?” That’s because the musicians invited by soprano Allison Charney to her PREformances series are world-class artists at the top of their games, like NY […]
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  • CD Review:  The Danish String Quartet’s ‘Prism 1: Bach, Shostakovich, Beethoven’ 
    CD Review:  The Danish String Quartet’s ‘Prism 1: Bach, Shostakovich, Beethoven’ 
    September 27, 2018 | By Barry Bassis
    The Danish String Quartet has been garnering awards and thrilling audiences since it made its debut in 2002 at the Copenhagen Festival. The quartet is known for its thoughtful albums and live appearances, where the members perform both contemporary works and earlier composers who influenced them. They have also highlighted compositions by Scandinavian composers. The […]
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  • What Role Do Competitions Play in Classical Music?
    What Role Do Competitions Play in Classical Music?
    September 27, 2018 | By Catherine Yang
    Just recently, 27-year-old violinist Richard Lin took home one of the largest classical music prizes when he won gold medalist at the 10th Quadrennial International Violin Competition of Indianapolis (IVCI). It’s not his first win—Lin has already netted top prizes at Sendai, Wieniawski, Singapore, Shanghai, and other competitions. Former IVCI top prize winners include Leonidas Kavakos, […]
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  • Theater Reviews: ‘I Hear You and Rejoice’ and ‘The Man in the Woman’s Shoes’
    Theater Reviews: ‘I Hear You and Rejoice’ and ‘The Man in the Woman’s Shoes’
    September 25, 2018 | By Diana Barth
    NEW YORK—The dazzling performer and playwright Mikel Murfi portrays an extraordinary assortment of people (and animals) in “I Hear You and Rejoice,” the companion piece for his earlier work “The Man in the Woman’s Shoes.” Both plays, which stand alone as single efforts, are being presented in rotating repertory at the Irish Arts Center in […]
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  • Album Review:  ‘Your Clear Eye’
    Album Review:  ‘Your Clear Eye’
    September 25, 2018 | By Barry Bassis
    Ricky Ian Gordon (b. 1956 in Oceanside, NY) has long been recognized as one of America’s leading composers of art songs and operas. His opera of “Grapes of Wrath” was a triumph when it was performed in a concert version at Carnegie Hall in 2010. Among his exciting works in progress is the opera “Intimate […]
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  • Students Share How Dance Helps Them Reconnect With Their Cultural Heritage
    Students Share How Dance Helps Them Reconnect With Their Cultural Heritage
    September 24, 2018 | By Shiwen Rong
    The 8th International Classical Chinese Dance Competition, hosted by New Tang Dynasty (NTD), attracted over 190 dancers from more than ten different countries and regions to participate in this year’s competition. After going through screening in the North American Division and the Asia Pacific Division, approximately 60 dancers stood out and came to Manhattan, New […]
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  • Luther’s Musical Legacy Is the Reformation’s Unsung Achievement
    Luther’s Musical Legacy Is the Reformation’s Unsung Achievement
    September 24, 2018 | By Jonathan Willis
    Just over 500 years ago, Martin Luther triggered what would become the Protestant Reformation with a document protesting corruption in the Catholic Church. At its heart, his Reformation was a movement about the nature of sin and the means of salvation, about the power of the church versus the authority of scripture. But it also […]
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  • What to Expect From a Shen Yun Symphony Orchestra Concert
    What to Expect From a Shen Yun Symphony Orchestra Concert
    September 24, 2018 | By Catherine Yang
    What do Wagner’s “Imperial March,” Sarasate’s “Carmen Fantasy,” and the erhu folk tunes of Northeast China have in common? Not much, at first glance. But Shen Yun Symphony Orchestra’s ability to move from one perfect stylistic rendition to the next in mere minutes is an exercise in proving that, truly, music is a universal language. […]
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  • Yes, You Can Make Classical Music for Everyone
    Yes, You Can Make Classical Music for Everyone
    September 20, 2018 | By Catherine Yang
    In her 25 years of producing concerts, Marna Seltzer has heard every perceived barrier to classical music, and at Princeton, she's been experimenting with how to do away with them.
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  • How Meditation Makes Music Sound Better
    How Meditation Makes Music Sound Better
    September 19, 2018 | By Catherine Yang
    Dasha Koltunyuk noticed something happening at the end of every guided meditation session and thought it was something she could bring into concerts.
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  • Can’t Find Time to Meditate? Try Music
    Can’t Find Time to Meditate? Try Music
    September 18, 2018 | By Catherine Yang
    Something odd happened to him recently: He sat in front of a symphony orchestra, and all that familiar tension bunched up in his neck and back and shoulders just melted away.
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  • Album review: ‘Beauty Come Dancing’
    Album review: ‘Beauty Come Dancing’
    September 17, 2018 | By Barry Bassis
    Gordon Getty (b. 1933) is a distinguished composer of songs and operas inspired by poetry. “Beauty Come Dancing” is a new release on the Pentatone label of Getty’s choral works performed by The Netherlands Radio Choir led by chorus master Klaas Stok, and The Netherlands Radio Philharmonic Orchestra conducted by James Gaffigan. This is the […]
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  • Album Review: Mozart’s La Clemenza di Tito’
    Album Review: Mozart’s La Clemenza di Tito’
    September 17, 2018 | By Robert Hugill
    This album is the fifth in Deutsche Grammophon‘s project to record the major Mozart operas with Yannick Nézet-Séguin conducting the Chamber Orchestra of Europe, live in concert at Baden Baden, and all with Rolando Villazón singing the leading tenor role. A strong cast surrounds Villazón’s distinctive yet problematic account of the title role of Mozart’s “La Clemenza di Tito.” The cast includes Marina […]
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  • Theater Review: ‘The Naturalists’
    Theater Review: ‘The Naturalists’
    September 16, 2018 | By Diana Barth
    NEW YORK—The Pond Theatre Company, an American home for emerging British and Irish playwrights, is presenting the world premiere of “The Naturalists,” by Jaki McCarrick, at Walkerspace on Walker Street in Manhattan’s Tribeca area. The play is an earthy depiction of a small group of individuals living on the edge of society. Set in 2010 […]
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  • Shen Yun Symphony Orchestra Receives a Rousing Welcome to Taiwan
    Shen Yun Symphony Orchestra Receives a Rousing Welcome to Taiwan
    September 12, 2018 | By Epoch Times Staff
    Almost a hundred fans welcomed the arrival of Shen Yun Symphony Orchestra at the Taoyuan International Airport in Taiwan on Sept. 12.
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  • Album Review: ‘There’s a Place for Us’
    Album Review: ‘There’s a Place for Us’
    September 10, 2018 | By Barry Bassis
    From the opening notes of soprano Nadine Sierra’s stunning debut album, “There’s a Place for Us” (on Deutsche Grammophon), it is clear that she is a major singer. Having evoked an enthusiastic response from audiences and critics at The Metropolitan Opera, she went on to win the prestigious Richard Tucker award in 2017, and at […]
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  • Theater Review: ‘Days to Come’
    Theater Review: ‘Days to Come’
    September 4, 2018 | By Diana Barth
    NEW YORK—Following Lillian Hellman’s first major hit on Broadway, “The Children’s Hour,” came the overly heavy, melodramatic offering “Days to Come,” now being presented by the Mint Theater Company, which specializes in resurrecting old plays with merit. Does this play have merit? Critics and audiences have had strong positive and negative opinions. Certainly much of […]
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